There can be no doubt who the director is with slow motion explosions and hurtling bodies and screaming. From the sympatico political parts to the admirable acting, there is a lot to like about this movie, but I was thoroughly put off by the low rent titles montage that was so overwrought, post-post ironic and pedantic that I thought i might not make it through them. So the answer to the question "what would happen if a director with a notably bleak world-view tried his hand at a tale of overt bleakness" is answered. A related scenario was explored more romantically in
The Blue Max.
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